ALL ARCHITECTURE FASHION GRAPHIC LITERATURE RESEARCH ABOUT
HOUSE FOR A MAGNOLIA TREE
IGGY AZALEA EXIT FESTIVAL AND WORLDWIDE TOUR
HARPER’S BAZAAR ART | MANIPURA BODICE & HANNYA MASK
BOSTON CHINATOWN LIBRARY
INTEGRATED SHELTER UNITS
CARIFESTA PAVILION
LOG 57: THE VERSATILE METHOD
WILLOW X GLAMOUR UK X MUGLER
MEDITATION CABIN
SOLAR TRACKER
MMOONEY BAY REDEVELOPMENT
STORIES BY CHILDREN
BODY ORNAMENT
COLIN LOCASCIO X VERS
PAPER MAGAZINE: CHRISTINE QUINN
DISC ISSUE 2
A VESSEL FOR THE GANGOTRI GLACIER
GEOLOGIC RITUAL | ICELAND CAVE TOWER
A VESSEL FOR THE GANGOTRI GLACIER
Terracotta vessels as ecological remediation strategy
Status: Conceptual | Massachusetts Institute of Technology
Water is never inert — it carries within it the potentiality of all forms. In Hindu cosmology, it is simultaneously purifier, life-giver, and destroyer of evil: the sacred substance poured in rituals of cleansing, and the river that receives the ashes of the faithful in death. But the Gangotri Glacier is receding, bleeding heavy metals and industrial waste into the Ganga as it melts. This project responds to that condition with a terracotta pouring vessel designed as both ritual artifact and water purification device. Its two bowls choreograph the slow filtration of contaminated water through the microporosity of unglazed clay, reclaiming an ancient material logic as an ecological remediation strategy.
From the vessel, the project scales to proto-architecture. Rather than the human body's ritual gestures, the organizing logic shifts to the body of the Earth itself. The ground delaminates and pinches to form a bowl collecting rainwater above while a reciprocal bowl carved below exposes the rising and falling water table beneath. Ground becomes vessel; the subterranean becomes seasonal. The project proposes a site of cyclical ecological ritual where architecture participates in the hydrological cycle rather than resisting it, challenging the long-held assumption that land and water are properly separate conditions.